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May 17, 2017

This is where it all started, the script: This was a new approach for me to compose based on text and the six stories. It was exciting to adopt this new way of thinking about music; where I first imagine and interpret the story in my mind instead of just looking at the...

May 15, 2017

I'll talk a bit about the production processes and give a few examples of what I did.

After testing many different sound sources, I narrowed that number down. Limiting the sound sources helped keeping a clear goal and efficiency in the production, but also sparked creat...

May 13, 2017

This score found its way in a very non-linear manner. The music ‘happened’ to different scene’s randomly like mushrooms when it’s raining. This was partly due to the similar way the film was shot too. It’s a very different way I had composed before, but this kind of no...

April 22, 2017

Hello. Time to update some diaries of what has been happening with this project. I have been working on this on a daily/weekly basis along with other 3rd year University projects, and we will take a look at some of those things in the next few posts. We are mostly focu...

April 16, 2017

There is a scene in the film where a lot of people are moving in sync at a party. We wanted some weird music for that, which sounded like it was played half tempo. Tom also asked for dub step. I collaborated on this one with a friend, who is an expert on the field. We...

April 15, 2017

The director had a role model track for this one. A few in fact.  I pictured in my head, that she is walking down the street, going to work, eating a sandwich and smoking a cigarette. She’s supposed to be kind of badass and chilled. We tried out a few different options...

April 14, 2017

I explored various other hardware synthesizers and effect pedals when looking for sounds. These were all new to me. I recorded some Waldorf Blofield. I really enjoyed the visual representation of the waveform that is being modified. It is a versatile synth that encoura...

April 13, 2017

 (The real violin player in the video was Rowan Elliot.)

To keep things transparent, fair and ethical, it was important to discuss the no budget- part with all the collaborators. I was lucky enough to meet professional players who wanted to contribute in the film making...

April 12, 2017

I used the old Juno synth a lot in this score. This was a completely new tool for me. 

My friend has an original Juno-60 and my other friend has the remake of 106. I used these two a lot in this score.

With the original Juno-60, the lack of midi and h...

April 4, 2017


I recorded a church organ and will discuss it in this post.

I used AKGC414 as close mics, about 5 meters way and quite low, capturing the air and the mechanical noises of the organ. To capture the actual sound resonating in the space I used Earth Works omni mics,...

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April 13, 2017

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Film music diary for an upcoming project